Feminae: Medieval Women and Gender Index
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1.
Record Number:
6270
Author(s):
Francalanci, Andrea.
Contributor(s):
Title :
Le tre grazie della "Primavera" del Botticelli: La danza fra allegoria e realtà storica [Botticelli organized the figures in the "Primavera" using the configurations of a dance; court dance was just being developed in this period with geometric circles, with their philosophical implication of perfection, and hierarchic lines as possible configurations; the meaning assigned to the figures in the painting vary, but a courtier of the period could imagine the interactions of various symbolic figures in a meaningful dance].
Source:
Medioevo e Rinascimento , ( 1992): Pages 23 - 37.
Year of Publication:
1992.